Understanding the Behringer Wing Digital Mixer Effects, Channel Strip Processing and Inserts
Learn how to use the Behringer Wing Digital Mixer Effects, Channel Strip Processing and Inserts and unlock the full potential of your Behringer Wing Digital Mixer with our comprehensive guide! Whether you’re a beginner or an experienced sound engineer, our book offers step-by-step instructions on mastering Effects, Channel Strip Processing, and Inserts. Learn how to craft pristine sound, optimize your channels, and elevate your live or studio setups with confidence.
Discover expert tips, practical examples, and in-depth tutorials to help you. It has 91 Chapters, close to 30,000 words, hundreds of HD Pictures and hundreds of Active Links. I have added hundreds of links to “User Manuals” and “How To Videos” for the Effects, Gates & Compressors. I am a firm believer that when we have an example we can see, read or listen to, we will have a better idea on how something works and how we can use it in our mixing and mastering careers.
I have spent hundreds of hours searching the internet for the best references I could find concerning the Effects, Channel Strip Processing, and Inserts, so I could have a better understanding on how these functions worked with my Wing Rack. I took extensive notes and half way through, I decided to write this ePub in the hopes of it helping others as well. Once you understand how to use the Behringer Wing Digital Mixer Effects, Channel Strip Processing and Inserts, your mixing and master skills should go through the roof! It has 91 Chapters, 341 pages, hundreds of HD pictures and roughly 27,000 words.
- Navigate and customize Effects for dynamic soundscapes.
- Use Channel Strip Processing to shape your audio precisely.
- Apply Inserts effectively for seamless signal flow.
Have you ever heard of the “Chamber Reverb”? If not would you even take the time to learn how to use it? In chapter 42 of this ePub you will learn that:
“Many artists and groups have used chamber reverb to achieve a lush, spacious sound in their recordings. One notable example is The Beatles, who frequently employed chamber reverb—most famously on songs like “A Day in the Life” and “Tomorrow Never Knows.” They used the “Leslie” chamber (a specially designed reverberation chamber) at Abbey Road Studios to create their distinctive sound.
Another example is Pink Floyd, who used various types of reverb, including chamber reverb, to craft atmospheric textures in their music. Additionally, artists like Simon & Garfunkel and The Beach Boys incorporated chamber reverb techniques in their recordings for a spacious, immersive effect“.
How about the 1176 as pictured above? Any idea why it was so popular? Would you be surprised to know that the 1176 has been a staple in professional studios worldwide since the 1960s/70s and has played a role in shaping the sound of countless recordings across genres like rock, pop, R&B, and more. In chapter 31, 76 Limiter Amp, you will learn:
While the 1176 may not be credited on every album, its influence is widespread, and many legendary recordings feature its compression. Notable artists, producers, and studios known for using the 1176 include:
The Beatles – Used extensively during the Abbey Road era, especially in the production of “Sgt. Pepper’s Lonely Hearts Club Band” and subsequent recordings.
Michael Jackson – Engineers like Bruce Swedien used the 1176 on vocals and drums during the “Thriller” era.
Prince – Frequently used the 1176 in his studio recordings, notably on vocals and drums.
David Bowie – Engineers have reported its use in shaping Bowie’s sounds across various albums.
Led Zeppelin – Used in the recording process for their powerful drum and guitar sounds.
The Rolling Stones – Used in the studio for vocals and drums.
Steely Dan – Known for meticulous production, they used the 1176 for drums and vocals.
U2 – Engineers have utilized the 1176 for vocal and instrument compression.
Madonna – Used in her recording sessions to achieve punchy vocal sounds.
Famous studios and engineers:
Many renowned engineers like Bruce Swedien, Bob Clearmountain, and Chris Lord-Alge have used the 1176 extensively.
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